Museum Attendants /cuartmuseum/ en Interview with Sophia Baldwin /cuartmuseum/2020/08/20/interview-sophia-baldwin Interview with Sophia Baldwin Anonymous (not verified) Thu, 08/20/2020 - 14:41 Categories: Museum Attendants Tags: Museum Attendants

Visitor Services Liaison Elizabeth Gregg interviewed Sophia Baldwin about the process of writing about her spring 2020 experiences on August 4, 2020.
Read her essay titled "The Surface & The Shadow of COVID-19" here.


EG: What was the process like for you when writing about your experience?

SB: I started my process looking through the (online database) and finding a picture that resonated with me and my experience. And when I found the picture of bread that just started drawing new ideas, it was the contrast of the shadow and the light that really spoke to me and my experience of being – you know, like our surface needs and our needs that we can’t see as easily. So, when I saw that, I started to frame it kind of into two parts. And that’s how I started to write my piece, and I just started taking quotes that really spoke to me with that theme.

EG: Were there any other art pieces that you looked at during your process?

SB: I looked at one that looked like a row of lipstick. I don’t know why, it just really popped out at me. It didn’t fit at all for my piece, but I just kind of liked the minimalistic characteristics of it, and that was the vibe I was going for. It started my thought process on going more minimalist for my piece.

EG: Did you find writing about your experience to be helpful to you?

SB: That’s a really good question! I would say that it was nice to write it down so that I could remember it when I’m older, and just kind of look back on that. My grandma was telling me to write down my experience as I was going along, but I was so sick I couldn’t really do anything so being able to have it be more cohesive and not really so much of a “dear diary, I threw up today” kind-of-thing. To have it be a bit more polished but still have the rawness of it was helpful to me, really just to be able to talk to people about it, and frame how I wanted to talk about it without it being off topic or ranting about everything. It really condensed everything for me, and it’s nice to have in the sense of “that’s what I went through!” And it’s not like reading a diary, it’s like “these are two big bulks of what made me at that time, and what still makes me – my soul and my body, my physical body.” So, I feel like it just makes me be able to talk to other people, and to have ideas of what it was like to go through that, and to keep that in mind when I’m talking to people. I’m not sure if it really helped me personally, but I feel like it helped me frame it for more conversations.

EG: What were your thoughts like when you heard that campus was closing down?

SB: It felt like a tunnel with no end; I didn’t really know what was going to happen. It was more of a time where you just felt like you were floating, and just kind of waiting for something to stop your motion of floating. It felt like it just kept going and going – it still feels that way with campus still not really sure, like, if they’re going to open and for how long, and with other campuses, too. It was this feeling of floating without any direction to stop, except for whatever direction turned you at the beginning. I would say, obviously, the initial thought was kind of like “well, maybe I get a day off!” But, really, it was kind of like a tightening in my chest that came in, and just kind of that feeling of numbness, like “I don’t have control over my reality anymore. I’m now subjected to what is going to happening around me.” And that’s a really scary place to be! You’re not faced with that fear head-on, but it’s definitely more like being tossed by a bunch of waves here and there.

So, I think when campus closed, there was definitely a lot of confusion and – I try not to panic too much – and it was really more of, like, a “okay – I’m going to be pushed around by this ocean, and we’ll see how it goes!” And, obviously, it got so much worse, but the initial thought was that I’m just floating around here, waiting for the next thing to happen. It makes your brain feel fuzzy – it makes your body feel fuzzy, too! There’s a weird, haunting stillness to everything.

EG: What was something you wished you had gotten to do last spring?

SB: I wish I would’ve been able to continue to go to the REC Center and work out. That’s a really big part of my life, and a huge de-stresser for me. I like being physically active, and I was just getting good with dumbbells and actually knowing the terms for certain things! And that’s where a lot of my friends are, and where I met my boyfriend too, so that’s just a really great place for me. So, I wish I could’ve been there, still working out and working on my health.

I’m a very anxious person, so any chance that I have to go inside my head is always something that I’m trying to protect myself from. Being active has always been my way of being able to balance my worry out, and just take care of my physical fitness. So, when that was taken away – when I couldn’t even walk, I was really just, like, on the couch for two months – and even thought it wasn’t you know, I was watching The Simpsons, I was watching Star Trek – it wasn’t… like, that doesn’t sound bad compared toso many things that people are going through, but for me that was just my own personal hell: being in my head for two months, really having those anxious voices come in and really destroy a lot of how I saw the world, and how I saw myself. And definitely seeing myself lose more and more weight, I just didn’t feel like the same person. It was like, that part of me that I try to tame a lot with working and with being physically fit, being active with people and just feeling joy, and feeling full – and when I had lost twelve pounds and when I alone with my own thoughts, I was surviving, but I wasn’t really living that joyful life that I used to.
So, that was really hard for me, not to be able to just even more around. And people get tired with just staying in the house for a day, but that was my life for two months. I’ll never take that, I’ll never take being outside for granted ever again.

EG: Were remote classes more or less difficult for you than in-person classes, and why?

SB: They were definitely easier for me. That’s just because I wasn’t driving all the time because I commute from Westminster, so I wasn’t spending all my time driving and waking up at a certain time to get to campus on time. I actually had time to wake up at a good time and study instead, so it actually worked out really, really well, academically. I got straight A’s – even in some classes that I didn’t think that I’d get even a good grade in! So that ended up working out really well for me, just being able to be at home.

I was sick with COVID at the time. Being in that headspace, the bad mindset came in, really, after the semester was over because I’d been sick longer then. It was really the physical symptoms that were hard during the semester. I was almost throwing up, but I wasn’t able to, and I had to go take my psych test in the middle of it, so I had like, a bucket on the side, and I had a blanket around me, and I was just like, trying to figure out how to do this test!
But the nice part was that I didn’t have to worry about going to campus while still trying to figure out what I had, sickness-wise. It ended up being – for classes – a lot easier than being in-person, for the driving purposes, and the security of being able to be at home while I was recovering.

EG: Did having classes to focus on help your mental state?

SB: Yeah, I think they helped me focus more on things to do during the day, and I found that when I didn’t have school, you know it was twelve hours open where I just sitting. And that was definitely extremely hard. So, being able to have things to break up the day was very helpful for my mindset because then I wasn’t focusing on my pain for twelve hours straight; it was kind of disbursed.

EG: Do you think you’re better prepared for fall?

SB: I think experiencing COVID firsthand has made me very cautious about when I go out, and everything. I think I’m prepared; I know what’s going to help me get through this, and what breaks I need to take – basically how to take care of my mental state and my body a lot more. And, actually, when I had COVID was when I started taking counseling and getting anxiety medication, and that, really, has changed my life. I mean, I’m still working on it, but it made me realize that – being by myself for that long and being sick made me realize that there are two parts of me that I need to take care of, and one part, my mental state, was neglected for a long time. And I was like, “okay, we’re done with the gym, I need to focus on the other part of me, which is my mental state.”

So, I think, for the fall, after taking counseling, after taking medication – and I did these things because I had zero outlet for stress – being able to know that I’m an anxious person, and just talk things out, and take medication, I think for the fall I’m a lot more prepared. And just taking things slow and knowing that I have very little control over almost every aspect of my life except for how I treat others or how I treat myself. So, I think I’m prepared to not be prepared, if that makes sense!

EG: What are you most looking forward to this fall?

SB: What I’m looking forward to for the fall is really just being able to be with people again and being able to interact with people, and get excited about things that they’re doing, and just really supporting people – it’s really just all people-oriented for me!

I’m really excited to start making films for my Bachelor of Fine Arts program. I’ve been writing, but being able to be on set again is going to be amazing. I’ve gotten a taste of that this summer, but just being able to be with my friends is just going to be something that I’m extremely looking forward to – I am looking forward to it, right now, and have been for a long time.

EG: Is there anything else you’d like to share?

SB: I don’t want to sound preachy at all, and with this experience, I’ve been really trying to work on that. But I would just say that, like, this situation is so different for everybody, and it’s going to be painful in a lot of different ways for a lot of people. I just want to that if you are going through something – or whoever’s reading this is going through some type of anxiety, and it’s just kind of underlying everything, that’s so normal for right now. And that’s something that I’ve been trying to grip onto, that there’s nothing wrong with you if you’re feeling anxious during this time, even if there’s just a day, you know even if there’s not really anything that would make you feel anxious. There’s a weird kind of underlying beast that we’re having to deal with right now. It’s hard to tell when you get the virus, when you don’t get the virus – it’s a lot of uncertainty all at once with jobs, and sickness, and just a lot of things that are going on. So, if you feel anxious, just know that there are two parts of yourself to take care of, and just hang on. I can’t really give any advice because I don’t know anybody’s situation, but I just hope that you all can find hope in this time we really have zero control over.

 

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Thu, 20 Aug 2020 20:41:24 +0000 Anonymous 939 at /cuartmuseum
Interview with Ella Stritzel /cuartmuseum/2020/08/20/interview-ella-stritzel Interview with Ella Stritzel Anonymous (not verified) Thu, 08/20/2020 - 14:30 Categories: Museum Attendants Tags: Museum Attendants

Visitor Services Liaison Elizabeth Gregg interviewed Ella Stritzel about the process of writing about her spring 2020 experiences on August 5, 2020.
Read her full essay "The Little Things" here.
 


EG: What was the process like for you when writing about your experience? 

ES: Writing about my own experience was actually really difficult for me. Personally, I wasn't terribly affected by COVID, so when I had the task of writing a 'student perspective', I was at a complete loss. I didn't think there was anything particularly remarkable or worth reading about the previous few months. So instead of making it seem like a thrilling tale people would be dying to read, I approached the assignment as a sort of journal. My writing turned into a stream of consciousness and I ended up writing down everything I could remember- how much I missed my friends, how draining school became, how all of my structure I spent so long building crumbled at my feet. Turning it into a journal made it more personal, and even though my work isn't the most exciting tale, I think a lot of people can relate to missing the small things about life.

EG: Did you find writing about your experience to be helpful to you? 

ES: I really did. It made it all seem more real, like what I was experiencing was actually happening and wasn't some freak fever dream. Treating it like a journal helped me make sense of everything going on and understand that this is our new normal.

EG: What were your thoughts like when you heard that campus was closing down? 

ES: I was really worried. Being physically present in class is so important to me because I lose focus really easily. Almost all of my life is centered around campus—where I eat, study, my job, my classes—so I had absolutely no idea how I was going to handle things purely in my apartment. I like to keep my school life separated from my home life, and combining them made me really anxious, and it started to feel like I couldn't escape my schoolwork.

EG: What was something you wished you had gotten to do last spring?  

ES: I wish I got to play our end of year concert in symphonic band. We had some really amazing repertoire planned and things were just starting to come together.

EG: Were remote classes more or less difficult for you than in-person classes, and why?

ES: Remote classes are more difficult for me. I learn far better in person, as there are fewer distractions and campus has a very distinct feel that I'm in a study area. Having remote classes took that away, and it was so much easier to lose focus or be on my phone during lectures.

EG: Do you think you’re better prepared for fall?

ES: I don't feel prepared for fall at all. I don't really know what's happening with my classes, my housing situation, or even how I'm going to handle more than one remote class at a time. I'm very stressed.

EG: What are you most looking forward to this fall?

ES: I'm really looking forward to anthropology club this fall. One of my good friends and I are running it this year and even though we may not be able to hold it in person, we're already thinking of speakers to bring in and events to plan!

 

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Thu, 20 Aug 2020 20:30:25 +0000 Anonymous 937 at /cuartmuseum
The Little Things /cuartmuseum/2020/07/14/little-things The Little Things Anonymous (not verified) Tue, 07/14/2020 - 08:46 Categories: Covid-19 Museum Attendants Students Tags: Covid-19 Museum Attendants Students

The Little Things
By Ella Stritzel

I think about my last night in Boulder a lot.
A friend of mine and I went out and ate at a Thai place, laughing about what comes next and grinning at each other as we watched the rain fall steadily in the street. Eating Sweet Cow ice cream and walking side by side, the streetlights seeming to glow around us, halos reflected in the puddles at our feet. It’s such a simple memory that now seems distant and untouchable. Even with the threat of Covid-19 hanging over us, her moving home across the country and me seemingly trapped in place, it was perfect– like freezing a brief flash of blue sky in a day hidden by dark clouds.


I remember exactly where I was when I got the emergency notification text from CU: sitting on the bus on the way back to my apartment, staring out the opposite window, trying to ignore the palpable anxiety that filled the air as everyone simultaneously received the notification.

An employee had a presumptive positive test result.

No one knew what to do with that information. Some panicked and got out of Boulder as fast as possible. I clung to one important word from the text: presumptive. It was just as likely that they didn’t have it. Things probably wouldn’t change too much, I thought. Then, five hours later another emergency notification text crushed my hopes: classes were canceled, and remote teaching was going to begin the next week. I couldn’t turn away and hope for it to get better, this was real and staring me in the face.

My professors pre-recorded lectures and posted them to Canvas. My recitation sections stopped meeting. I had no contact with anyone. Any semblance of structure I had in my life crumbled at my feet. It was jarring, like some sort of bizarre, unexpected summer break. But even so, I didn’t really mind it. To suddenly have of freedom from everything—classes, clubs, rehearsals, practice—I don’t know how to describe it. Confusing? Exciting? Terrifying? Whatever it was, it was as if I was at the top of a rollercoaster, faced with an impossible drop.

There was no more standing at the bus stop half asleep in the mornings; no more studying late in the library until the words all blurred together; no more waiting in a line too long just for coffee that couldn’t wake me up anyway. No more rushing from the opposite side of campus, praying I’d have enough time to grab food before work. I no longer felt the exhaustion settle into my muscles as I sat nearly motionless at my desk writing three papers due the next week on the same day. I no longer layed on the floor, surrounded by my laptop and textbooks with my notebook open on my face incoherently mumbling dates and names. I no longer feverishly went over Quizlets on the bus in a last-ditch effort to prepare for an exam. It was as if the most stressful part of school had magically vanished overnight.

But that freedom came with frustrating stipulations. In the mysterious vanishing of stress, it also ripped all my favorite activities from my grasp. Symphonic band was done just as things had started to come together for our final concert. My friends and I wouldn’t be trying to hide giggles behind our music stands. I wouldn’t be writing things that were only funny to us between the lines of our sheet music. I wouldn’t feel the thrill of nailing a passage that had tripped me up for weeks, or the chills that would run up my arms when things sounded almost perfect or be unable to suppress a smile mid-concert just from the sheer joy of playing.

Anthropology club was over. I wouldn’t be sitting in the seminar room, confusing the upperclassmen by using unfamiliar slang and listening intently to a speaker who specialized in an unfamiliar area. I wouldn’t be curled up in a chair in the most uncomfortable position possible, listening to our president talk about scheduling events, reviewing what’s coming up next on the calendar or what the underclassmen need to learn in order to take over the club the next semester; all the while, promising us with a smile that “you’re not going to be thrown into it, we’re going to be there with you”.


None of us could possibly have known what was coming our way. But there’s no use in lamenting it now. Even after the world is shattered and brought to a screeching halt, we still have to get going and pick up the pieces.

So, I did.

I watched recorded lectures and put together discussion posts as if nothing changed, even though it felt like a façade. I did the required readings and took notes despite endlessly staring out my window, watching the spring weather change as if nothing was wrong.

I moved back home to be with my parents to finish the semester. I remember staring at my suitcase, at a complete loss of what to pack. I never thought I’d end up moving home in the middle of college. But I did. My childhood bedroom was exactly the same as it was in high school. My posters, drawings, programs, photos, even my flag were still pinned up just as I had left when I moved out. But the person who moved back couldn’t have been more different. It was almost like I had been shot back into my high school body but kept my college brain, experiencing a strange battle of wills. This time around I was independent. I woke up and stayed up as long as I wanted, trying to experience the freedom I now possessed while still desperately clinging to a self-made school schedule that, too, seemed to vanish at my fingertips despite me swearing I had it under control.

Things picked up like they would normally. I had papers due and had to prepare for exams. Things shifted from feeling like a strange summer break back to sitting at a table for hours, watching lectures I had forgotten about, furiously taking notes, my hands once again getting covered in pen and highlighter as I mixed up demographic data across time periods and tried to understand the social upheaval of ancient civilizations. Once again, things had simultaneously completely changed while also not changing in the slightest. My exams went well, but instead of a celebration, smiling in relief, and finally having a satisfying end to a class, it was simply closing my laptop and tossing it aside in indifference, only to sit back down a few moments later to begin preparing for something else.


After the semester ended I’m not even sure what happened. I’d look up and the day would be over. Days bled into weeks. Time seemed to leave me behind. If I’d remember to, I’d Facetime my friends. I’d play video games for hours and stare blankly at the notifications on my phone, none of it seeming to register. In an age where everything is connected at every moment, I’ve never felt so isolated and cut off from the rest of the world. My best friend celebrated getting into Eastman on violin, and to celebrate, I bought him boba. We sat on his porch wearing our masks and talking as if nothing had changed. We watched the sunset and howled at 8:00 p.m. with everyone else in the neighborhood. His brother slid us popsicles, making sure he didn’t get too close. We tried to ignore the anxiety settling into the background and the petrifying ‘what-ifs’ that no longer seemed outrageous. It all seemed to twist and spiral in the darkness just beyond us, kept at bay only by a singular porch light and our quiet companionship.  

We are desperately trying to connect at a time where we can’t. I miss the small, innocent moments of a world unbothered and that’s why Utagawa Kunisada’s woodcut Autumn Moon-viewing Scene from Inaka Genji is perfect to me at this moment in time. It depicts five people enjoying each other’s company, overlooking the ocean. While this print is a scene from a story, to me it represents the simplistic moments of life now taken for granted. The scene is so incredibly human, the group focusing on what is in front of them, but still aware that they are doing their individual tasks together. Scenes like this are almost inconsequential, a snapshot of life, and yet given our current situation, seem so far removed it’s nearly unimaginable.

Those are the moments that I miss, where soft everyday occurrences have lost their context and have become a distant memory. I miss standing next to someone in line, instead of glaring daggers at strangers who gets too close. I miss my friends’ smiles and laughter now hidden and muffled behind masks. We’re still making small moments, but the paranoia can’t be hidden away. We see the world change beyond our windows and reminisce. We have a new normal, and despite the fear that seems to guide our waking moments, we can’t abandon it. Humanity is resilient. We survive, time and time again. This too, shall pass. We just have to hang on a little longer. 


Image Credit: Utagawa Kunisada, Japanese, 1786-1865, Autumn Moon-viewing Scene from Inaka Genji, 1847-1852, woodcut, 13 ½ inches x 9 ¾ inches. Gift of Helen Baker Jones, in memory of her father, James H. Baker, former President of CU (1892-1914), CU Art Museum, ɫƵ, 67.333.16, Photo: Jeff Wells.

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Tue, 14 Jul 2020 14:46:52 +0000 Anonymous 923 at /cuartmuseum
The Surface & Shadow of COVID-19 /cuartmuseum/2020/07/09/Surface-and-Shadow The Surface & Shadow of COVID-19 Anonymous (not verified) Thu, 07/09/2020 - 15:47 Categories: Covid-19 Museum Attendants Students Tags: Covid-19 Museum Attendants Students

The Surface & Shadow of COVID-19
By Sophia Baldwin

"In the darkest times, hope is something you give yourself. That is the true meaning of inner strength!”

I was at ɫƵ working two jobs and going to school full-time and all I wanted to do was be in my bed. I got my wish, but not in a shape or form that I was expecting. In March, I contracted an illness and was in bed for two months. At the time, I didn’t know it was COVID-19.


Sickness of the Body

It was a fight against the unknown. Wave one started. I was overcome by chills, sweating, and a fever. Soon after, the fever left me and I lost my sense of taste and smell for a week, making me suspect I had COVID-19. When the fever subsided and my ability to taste and smell came back, I thought COVID-19 had left me.

It was just starting.

Wave two began in the form of crippling abdominal pain, hallucinations, and a heavy lack of sleep. I lost my appetite even though I was so hungry. With a hollow stomach, I was stationed in the bathroom, draped over the toilet without relief. I laid in bed for hours at a time, unable to go on walks, with waves running underneath my skin. Any activity started a relapse of COVID-19 symptoms and killed the white-blood cells trying to fight for me. I weakened, and my once-athletic-self began to fade away. In my bed, I was left to my thoughts as my only escape. 

The nights were long and were some of the darkest hours of my life. One night, I threw up 9 times. As I lay in bed, my mom sat beside me and held my hand as I drifted to sleep; I didn’t want to fall asleep alone because I wasn’t sure if I would wake up in the morning. I’d never felt so detached from life before.

And still, there was speculation among my professors, my peers, and my doctors about whether or not I had the coronavirus. Why was I sick and my family wasn’t? I was the least likely out of all of them to get it. And why do some gathered crowds get it and some don’t? Did I have something else in the midst of this pandemic or was my illness not as serious as it felt? 

Finally, after a month and a half of rest and wrestling with the coronavirus I was tested. Everyone was baffled by how long I’d been sick. More tests commenced and for the next week I was clinging to my phone waiting for results. Each phone call was a clawing crawl towards the answer:

Parasite. Nope.
Pregnancy. Negative.

Beaver fever. Oh, good Lord please, no! Negative. Oh, thank goodness.

Several tests later, my mania was confirmed: COVID-19. It was no longer active but I was still recovering from the infection. For a month I ate nothing but rice, rice cakes, applesauce, and canned peaches. The day I was able to eat fish sticks was a victorious day to remember! Having an answer gave me peace, and from there it was a slow but hopeful recovery. 


Sickness of the Heart & Mind

That entire time I was immobile, my mind was burdened: my mom lost her job; my grandma passed away; and my previous boss who fiercely inspired me to be a strong woman lost her battle with depression and killed herself. The burden of other peoples’ miseries surrounded me, and other peoples’ pain reminded me that we are made of two entities: our body and our mind.

When I was fiercely sick with COVID-19, my mind was fuzzy with exhaustion, frustration, and anxieties. When I looked in the mirror my body was thin and twelve pounds lighter, but that didn’t compare with my mind that was wasting away. Being immobile and not having any answers was such an isolating experience. Although I had people who strongly loved me, my mind felt alone. I was quickly humbled in remembering those who the coronavirus pandemic affected in different ways: the lover of her job now unemployed and feeling purposeless and lost; the already isolated elderly being pushed aside into an even lonelier corner; and the woman whose only escape from her own tormenting thoughts was her job which was now to be done in her empty home. Some of us are in bed but many of us feel restless. COVID-19 has attacked one or two parts of us: our body and/or our mind.


Daily Bread

In the time when I couldn’t have people around me I prayed a lot. At times my prayers were full of thankfulness for my boyfriend and family who took such amazing care of me, for the walks in the sunset I got to share with my tired soul, and for the warm bed in which I could heal. Other times my prayers were demands and questions about why people continued to suffer without relief. My frustrations kept piling up. Sometimes I received answers and sometimes I didn’t.

As I write out my experience it’s hard to truly explain how I felt. That’s why art is so powerful. For me, Claes Oldenburg’s Bread Slice in Sunlight #1-King David's use of swishing yet confined contrast of dark and light depicts human needs. On the top is a light piece of bread illuminated by a golden hue. This is what my body desires on the surface: air, water, and a piece of bread. I like the quote, “man [doesn’t] live on bread alone”; we crave and need spirit, and even when I was finally able to eat I didn’t have life in me because so much was still missing. I missed seeing my friends, feeling the warmth of the outdoors as I ran in my old track tennis shoes, and the overall sensation of joy. The shadows of the bread are like the deeper things humans need that lie underneath the basics: spirit, hope, joy, laughter, the hand of a kind mother, and the smile from your lover.

I’ve recovered now.
I still have to take life very slowly but I’m able to see friends again, get a Nerd slushy from Sonic, and enjoy a walk in the sunset. As I walk I think of those that I lost and the people whose friendships were enriched by this hardship. As you look at Claes Oldenburg’s Bread Slice in Sunlight #1-King David, remember that we are made of two parts: things from the surface that allow us to live and more invisible things that sustain our true selves. We need both, and during a time of uncertainty it’s okay to feel unfulfilled. Even though sadness is a natural response to uncertainty, I’m inspired by Uncle Iroh’s quote from one of my favorite shows, Avatar: The Last Airbender:

“You must never give into despair. Allow yourself to slip down that road and you will surrender to your lowest instincts. In the darkest times, hope is something you give yourself. That is the true meaning of inner strength!”


Image credit: Claes Oldenburg, American, b. 1929, Bread Slice in Sunlight #1-King David, 1972, lithograph, 18 x 9 5/8 inches. Gift of Polly and Mark Addison to the Polly and Mark Addison Collection, CU Art Museum, ɫƵ, 91.04.18  © Claes Oldenburg, Photo: CU Art Museum.

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Thu, 09 Jul 2020 21:47:52 +0000 Anonymous 909 at /cuartmuseum